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Portfolio: Film Production
"nil admirari" Production Notes
Website Design
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Design || Image
Restoration || Film
Production
The talent for "nil admirari" was incredible.
I called upon a friend I used to work with to play the roll of the
disturbed guy in the movie. I thought Nick would be perfect for
the roll, because in the original script, Cassie and I had this
psycho who was disturbed by current world events and he went insane
and talked to his happy friend (a yellow smilie face balloon). Having
worked with Nick and seeing a crazy side of him I knew he would
do a great job and was perfect for the roll.
Many changes happened when we got to our location. Nick had read
through the script, liked it, but had an even better idea. Keeping
with the theme of "disturbed guy talks to happy friend",
Nick suggested something more deep and character driven. Since Nick
spent the time to get into and understand his character, Cassie
and I went with it to see what he had in mind.
When the camera turned on and I called "action!" I didn't
know what to expect, just where he would be sitting and that his
performance would be improvised. He started rambling off and carried
on a story of a guy dealing with the recent suicide of a friend.
He talked for about twenty-two minutes, sitting in the cold wet
rainy weather with a camera in his face. He was amazing and quite
a trooper.
For me, it is hard to believe when viewing "nil admirari"
that there was so much laughing that happened seconds before "action!"
was called. Nick is a funny guy and laughter just comes out when
he is around. Seconds before the camera started rolling everyone
was laughing hysterically. It's amazing how things can settle down
when they need to be.
Cassie and I wanted this flick to be powerful and to sink any cheerful
atmosphere of a room into the depths of despair. We accomplished
that at a test screening in one of our classes at Johnson County
Community College. It was the best reaction. Music helped with the
feel of the flick. We chose Erik Satie's "Trois Gymnopedies"
to help set the mood.
During post-production we ran into many complications. Sound was
a problem for me then, and had been with previous student projects.
Sometimes the music would go right over the voice and we didn't
know what he was talking about. To avoid this issue, we mastered
a copy to VHS without music. Plugged it back into the computer and
added the music again - very makeshift. Luckily for us it worked.
We were up until five o'clock in the morning on the day it was due.
We went into class with two hours of sleep and presented it. It
was a success and I went home to sleep before I had to go into work
that night.
A couple years after the original "nil admirari" was produced
and "finished", new software was aquired. I felt the need
to return back to the film. I was never happy with the original
and knew that with Cassie's help, we could make it better and finally
master what we were looking for when we first shot it. The final
product is finally available for the first time in widescreen and
with some color correction.
All the hard work was definitely worthwhile with "nil admirari".
I hope you all enjoyed it.
-Kristi Bobilya
(director/editor)
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